Singing accompanied by the beating of duff is an approved type of lahw
(vanity) for women during the Eed. `Aa'ishah ( ) said:
"Allaah's Messenger entered (my house) when I had two little
girls singing the songs of Bu`aath2 and beating on a duff; so he lay
down on the bed and turned his face away. Then Abu Bakr came in and
scolded me saying, 'The flutes of Shaytaan (the Devil) played in the
presence of Allaah's Messenger?' So Allaah's Messenger turned
toward him and said, Leave them alone, O Abu Bakr! Every people have
a `Eed, and this is our `Eed."3
Al-Baghawee commented on this hadeeth by saying:
"Bu`aath is a famous battle of the Arabs, in which there was a great
victory for the Aws over the Khazraj. The war between the two tribes
went on for one hundred and twenty years - until Islaam came. The two
girls were singing poetry that described fighting and courage, the
mention of which is supportive to the Deen.
But as for songs that involve mentioning sins, announcing prohibited
matters, and displaying evil deeds - it is all prohibited. And it is
impossible that anything like that would ever take place in the
Prophet's presence without him objecting adamantly to it.
And as for his saying this is our `Eed, it provides the reason for
displaying joy in the two `Eeds as being a symbol of the Deen, because
they are different from other days."4
From this hadeeth, and other subsequent evidence, it is important to
note the following:
- The Prophet
did not object to Abu Bakr's statement
that the duff, being a musical instrument, is a flute of Shaytaan. This is
taken as an approval from him of this general rule, which conforms
with other authentic evidence prohibiting the use of musical
instruments.
- He
modified Abu Bakr's ( ) understanding by indicating
that there is an exception to this general rule on specific
occasions.
- The occasions in which Islaam permits women to beat on the
duff are the following:
- The two `Eeds,
- weddings, and
- to celebrate the arrival from travel of a respected individual.
The evidence for the third kind is the hadeeth about the woman who
came to Allaah's Messenger and said, "O Allaah's Messenger, I have
made a vow, if Allaah brought you back safe, to beat the duff over
your head." Allaah's Messenger sat down and said, Fulfill your
vow!5
- On these occasions, hearing the beating of duff is permitted for
men, for Allaah's Messenger
did so and approved of it, as is seen
in the above hadeeth. However, it is not permissible for men to listen
to women's singing, because this is a unjustifiable source of great
fitnah. The Prophet's listening to two little girls does not
constitute an evidence in this regard.
- Because of the general texts prohibiting the use of musical
instruments in general, the only musical instrument that the women are
permitted to use is the duff; deriving any analogy from this to other
instruments is wrong, and is in clear violation of simple principles
of fiqh and reason.
- This privilege of using the duff is not granted to men on any
occasion - as will be discussed below.
- The permission given to sing during the `Eeds applies only to
acceptable poetry that encourages good deeds and behavior. It cannot
be extended to the songs calling to sins and disobedience, as is
common in many cultures (see the earlier citation from
al-Baghawee).
As indicated above, there are no reports that the male companions beat
on the duff. Thus, beating on the duff is allowed for women because it
is typical of them, and Allaah's Messenger permitted them to do it,
but he forbade men's imitation of women and vice-versa. This view
is upheld by the majority of the scholars; for instance, Shaykh
ul-Islaam Ibn Taymiyyah (r) said:
"The Prophet permitted some types of rejoicing on the occasion
of weddings and their like. He permitted the women, as well, to beat
the duff during weddings and festivities. As for the men, during his
time, not one of them would beat the duff nor clap their hands. Rather
it is confirmed in the Two Saheehs that He said:
Clapping the hands is for women; and raising the voice with tasbeeh6 is for men.
And:
Allaah (SWT) curses those men who imitate women, and those woman who imitate men.
And singing and beating the duff are of the acts typical of
women. Because of this, the righteous Salaf labeled the man who did
that, effeminate."7
And Ibn Qud_mah ( ) said:
"As for beating it (the duff) for men, it is makruh8 in all
situations. It was only done by women; and if men do it, they would be
imitating the women; and the Prophet has cursed those men who
imitate the women."9
Ibn Hajar al-Haythamee, commenting on Ibn Qudaamah's words, said:
"It is obvious that his words mean its prohibition (for men)."10
And Ibn ajar al-`Asqalaanee said:
"The hadeeth that says, 'Announce (masculine plural command) the
weddings and beat (masculine plural command) the duff for it,' is used
by some people as an evidence that beating the duff is not specific to
women. However, this hadeeth is unauthentic; and the authentic
hadeeths (in this regard) give that permission to do that for
women. Men cannot be included in that because of the general
prohibition for men to imitate them."11
Al-Mubarakpuree (r) agreed with this statement from Ibn Hajar, and
he added:
"The fuqahaa' (scholars) have said that the duff is that which has
no bells, as Ibn al-Hammaam mentioned... Likewise, the permissible
singing during weddings is specific to women; it is not allowed for
men."12
And Ibn Katheer (r) said:
"... Nothing is excluded from that prohibition of musical
instruments, except beating the duff for the young girls - during `Eed
days, at the arrival of a respected individual from travel, and during
weddings - as has been indicated in the hadeeths, and as has been
established in various places. And permitting that in some situations
does not lead to permitting it in all situations."13
Common in our times are the ugly scenes prophesied by Allaah's
Messenger in which men and women gather to entertain themselves
with musical instruments and other prohibited acts.14 May Allaah (SWT)
guide the Muslims to what is good for them in both lives.
- A musical instrument similar to a tambourine, though it has no bells or cymbals. - Back to text
- Pre-Islaamic war lore. - Back to text
- Al-Bukhaaree, Muslim, Amad, and Ibn Maajah. - Back to text
- Sharh us-Sunnah 4:322. - Back to text
- Recorded by Abu Daawood from the way of `Abdullaah Bin `Amr (
); authenticated by al-Albaanee in Irwaa' ul-Ghaleel. It was also narrated, with more details, by Buraydah ( ) and recorded by at-Tirmithee. - Back to text
- Saying subhaanallaah (may Allaah (SWT) be exalted). - Back to text
- Majmoo` ul-Fataawee 11:565. - Back to text
- A hateful act. - Back to text
- Al-Mughnee 9:174. - Back to text
- Kaff ur-Ru`aa` 35. - Back to text
- Fat ul-Baaree 9:226. - Back to text
- Tuhfat ul-Awathee 4:210. - Back to text
- Commentary on Ibn ul-Qayyim's book, "Al-Kalaamu fee Mas'alat is-Samaa`". - Back to text
- Al-Bukhaaree, Abu Daawood, al-Bayhaqee and others. - Back to text
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